Epilogue illustrates the complexities of dating in our late 20s, 30s and 40s through the perspective of Aaron’s own heartbreak, which he’s been reluctant to share until now. HIS takes us through Abernathy’s breakup with a woman he loved dearly and the raw feelings, questioning of himself, and challenges to restart that come with their demise. HERS tells the story of Abernathy’s friend, a woman named Noelle, who experiences heartbreak at the hands of a man she thought she would spend the rest of her life with and how she copes with the relationship’s abrupt ending. And OURS, focuses on how both Abernathy and Noelle rediscover each other and the possibility of healing and loving again after dealing with heartbreak. 

Musically, Abernathy’s composition style presents a mosaic of 20th Century soul with a modern day twist. “I Want You Again,” is reminiscent of a doo-wop ballad from the ‘50s with attitude; you’ll find Motown’s famous double clap from the ‘60s on “Lonely Nights”; “The Bitter Things In Life” consists of soulful piano with a nod to Elton John in the ‘70s. You’ll find an ‘80s vibe on the Prince-inspired climax track “Song & Dance,” a gospeldelic feel on “Noelle” and a heavy neo-soul mood revisiting the ‘90s in “Revisions.” 

Epilogue unveils the complexities of displaying our true feelings around the love and love lossed that shapes all of us. Abernathy’s willingness to display vulnerability on a topic that often stays surface level from men, encourages more growth and conversation from men to express their feelings and seeking a healthy love life. This story backed by his expert production, arrangements, distinct lead and signature layered vocals uses different eras of music to paint a complex picture of healing that presents a unique beginning, middle and end to the intricacies of a relationship.